Compression your best friend and your worst enemy.
Live sound vocal compression.
When used correctly compression is a key ingredient for vocals that sound professional modern and radio ready.
Heck it d certainly save me a few keystrokes.
When used incorrectly compression can quickly ruin a good vocal recording and make your music sound amateur and over processed.
By bypassing and applying the compressor get the input gain same as without the compressor.
It evens out the often erratic levels that a singer can produce and tames transients that can cause digital distortion.
If the vocal s volume drops down then adjust the makeup gain input.
But the truth is it s not that easy.
Many bloggers will tell you what the perfect vocal compression settings are.
There is no one size fits all formula to vocal compression.
Live sound is largely correcting problems with subtractive eq.
For a vocal starting point set your threshold to 0db or 2db and a ratio of either 1 5 1 or 2 1.
You can use compression on vocals to just even out the performance and to create an effect.
I wish i could do that too.
This tc helicon t1 vocal compression unit is perfect for any singer looking for a singular functioning effects pedal.
Sure it s fun to roll off some of the top end on your hall reverb but don t let that distract you from the things that actually need attention.
Lead vocals some recording engineers think compression is a must for vocals.
Now without soloing the vocal slowly turn down the threshold knob to adjust the amount of compression on the vocal.
There are no magic settings that work 100 of the time.
This pedal s primary function is to help a singer control vocal dynamics and tone.
We would recommend this to a hobbyist singer songwriter musician.
And i don t want to mislead you.
The processor is ideal for use in practices and live performances.
You can set the attack release to auto or go to 12 o clock on either one.
